In the Line — Text and Context

(0 User reviews)   107
Dudley, Albertus T. (Albertus True), 1866-1955, Copeland, Charles, 1858-1929 [Illustrator] Project Gutenberg 2017 Not confirmed
Schools -- Juvenile fiction; Football -- Juvenile fiction; Phillips Exeter Academy -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 57,696
Reading time 251 min
Text sections 29

The catalog record for In the Line — Text and Context provides practical reading context through 57,696 words, 4 hr 11 min estimated reading time, and 29 detected text sections.

The text analysis averages about 16.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Schools -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

This editorial note examines how Albertus T. Dudley's 1905 school story balances catalog subjects of football and academy life with a nuanced portrayal of academic pressure and social hierarchy at Phillips Exeter Academy, drawing on excerpts that reveal tensions between athletic and scholarly success.
Share
Editorial Edition Score 4.8/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

t Mrs. Lindsay, who favored a private school, and Aunt Emmeline, who adored St. Susan’s, had each abandoned her own pet scheme for “little Wolcott,” in the conviction that the public school was inevitable. When, therefore, the head of the family returned one day with the news that Junior, on account of the irregularity of his previous training, and the inflexible system which the public schools maintained, could not prepare at the Latin School without great loss of time, the discussion of schools over Junior’s head, or rather under his nose, became serious. With the public school out of the field, each lady thought to see her own choice adopted. Miss Emmeline’s arguments, boiled down, were that Dr. Cummin, at the head of St. Susan’s, was “such a good man” and some very nice boys went there,—boys, that is, of approved mothers and grandfathers,—and they certainly came back with lovely manners. Mrs. Lindsay urged that the private school offered good instruction, the companionship of boys of the neighborhood, and what was to her of much more account, the opportunity to keep the fledgling a little longer at home. Mr. Lindsay listened, questioned, and like a wise man took time to consider and talk with his friends.

And here was the undoing of both the fond mamma and the solicitous aunt. Mr. Lindsay met Friend Number One at his club at luncheon.

“Do you know anything about schools?” asked the father. “I am looking for the best place in which to put my son. I hear that St. Susan’s is very highly recommended.”

Number One looked at him a moment in thoughtful silence. “Do you? Yes, I suppose some people must recommend it.”

“I infer that you do not. What do you know against it?”

“I know this,” replied the man, energetically; “my nephew entered Harvard last fall from St. Susan’s with a reputation for piety and goodness that any saint might have envied. In three months that fellow had gone to pieces in the temptations of the unaccustomed life like a rotten ship dashed by a hurricane against a reef. He was about as well fitted for the freedom the college offers as I am for the prize ring. Why don’t you put your boy into a good private school right here in the city?”

A little later Mr. Lindsay fell in with Friend Number Two. “Do you know anything about private schools in Boston?”

“Private schools? Yes, there are two or three good ones here,—a little snobbish, of course, but good schools none the less. Ask Tom Smith about them. He’s got two boys in one of them.”

But Mr. Lindsay had no intention of consulting Tom Smith. Snobbishness was his pet aversion; the very mention of the possibility aroused a vehement prejudice. Without stopping to inquire whether the charge were true or false, he abandoned all thought of a private school for the lordly Wolcott Junior, and drifted on to Friend Number Three with mind swept clear of all prepossessions.

Friend Number Three had positive convictions. He was an enthusiastic partisan of the rah-rah sort, alive to the merits and blind to the faults of the school of his boyhood. He knew exactly the place for Wolcott Junior, democratic, cosmopolitan, of high standard of scholarship, with a system of government tending to develop moral independence, and boasting a history rich in names of men of action and service. It happened that the merits which the loyal alumnus ascribed to Seaton were precisely those which Mr. Lindsay thought it most important that a school should possess. It happened also that the next two men consulted gave opinions which either negatively or positively supported Number Three. As a result and despite the preferences of the ladies of the family, Wolcott’s school future was determined. Within a week after his arrival in Boston he was packing his trunk for Seaton.

Albertus T. Dudley's In the Line (1905) opens with a preface that explicitly frames the book as 'a story of school life and football rather than of football and school life.' This distinction matters because the catalog subjects—Schools, Football, Phillips Exeter Academy—suggest a straightforward sports tale, but the excerpts reveal a narrative more concerned with the social dynamics and academic anxieties of boarding-school boys. The story follows multiple characters, including Strong, a runner held back by probation in German and Latin, and Salter, a studious boy who 'possessed book brains' but is neither popular nor happy. Dudley uses their interactions to explore how the school community values different kinds of ability.

Academic Probation as a Plot Engine

The excerpts show that academic standing, not athletic competition, drives early conflict. Strong's frustration—'They've held me up again with their confounded probations'—and his self-deprecating remark about lacking 'book brains' establish a tension between physical prowess and classroom performance. Salter, by contrast, is described as a boy who 'could get marks' and keeps a mental store of 'exceptional forms and expressions, of formulas and important facts.' Yet his scholarly success does not earn him respect; he is rated 'as a drone and a non-combatant among workers and warriors.' This dichotomy suggests that Dudley is using the school setting to examine how institutions rank different forms of merit, a theme that extends beyond football.

Social Hierarchy Beyond the Playing Field

The excerpts depict a clear social pecking order that does not align neatly with athletic ability. Salter, despite his academic gifts, is 'neither popular nor happy,' while Strong, though struggling in class, moves through the school with a certain authority. In one scene, Strong's 'surly retort' about book brains leaves Salter feeling humiliated. Later, Salter is shown helping classmates with Latin composition—correcting Whitely's Bellum gerebat to gereret—but his assistance is taken for granted rather than appreciated. Whitely, after getting help, folds his paper 'with the air of one who had had information forced upon him.' These interactions reveal a culture where intellectual labor is both necessary and devalued, a nuance that the catalog subjects alone do not capture.

The Role of the Instructor in Student Life

Dudley includes a telling detail about Mr. Lovering, the instructor, who is described as near-sighted—'his colleagues said he always knew what not to see.' During a recitation, Whitely waves his arm to be called on, but Mr. Lovering looks 'directly past the waving arm and challenging face to the silent, moody figure behind' and calls on Strong instead. This moment suggests that the teacher is attuned to the students' strategies and deliberately subverts them. The excerpt does not reveal the outcome of Strong's recitation, but the instructor's action hints at a more complex relationship between faculty and students than a simple sports story might imply. The preface's call for 'proper supervision in their practice and strict officials in their matches' echoes this concern with oversight.

Readers approaching In the Line solely as a football story may be surprised by the amount of attention given to classroom struggles and social standing. The excerpts suggest that Dudley uses the academy setting to explore how boys navigate competing expectations—athletic, academic, and social. Pay attention to how characters like Strong and Salter are defined not by their positions on the field but by their responses to institutional pressures. The football content, while present, may serve as a backdrop for a broader commentary on merit and belonging.

Some stories stay because they understand how much pressure hides inside a school year, how the weight of fitting in and performing quietly shapes us. That book made me feel seen in that ache. Monsieur Bergeret in Paris — A Closer Reading carries a similar warmth, observing social absurdities without ever losing tenderness. It lingered like a familiar hand on my shoulder, gentle and knowing, long after I closed it.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

How did this book work for you?

Your answers remain private and are stored only in this browser.

Your progress 0 / 10
1

How far have you progressed with this book?

2

Did this book hold your interest?

3

How likely are you to recommend this book?

4

What was the reading difficulty like?

Related eBooks