One of Clive's Heroes: A Story of the Fight for India — A Reader’s Guide

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Strang, Herbert Project Gutenberg 2012 Not confirmed
Adventure stories; British -- India -- Juvenile fiction; India -- History -- 18th century -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 143,279
Reading time 623 min
Text sections 18

This digital edition of One of Clive's Heroes: A Story of the Fight for India — A Reader’s Guide is described by source-level measurements including 143,279 words, 10 hr 23 min estimated reading time, and 18 detected text sections.

The text analysis averages about 16.8 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Adventure stories,” connecting these edition facts with the source record’s subject description.

Herbert Strang's 1906 adventure focuses on two pivotal events—the capture of Gheria and the Battle of Plassey—through the personal story of Desmond Burke, a young man entangled with a mysterious stranger named Diggle. The preface clarifies the book is a romance with historical background, not a full biography of Clive.
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ntment and the passionate longing for release. His life had not been very happy. He barely remembered his father--a big, keen-eyed, loud-voiced old man--who died when his younger son was four years old. Richard Burke had run away from his Irish home to sea. He served on Admiral Rooke’s flagship at the battle of La Hogue, and, rising in the navy to the rank of warrant-officer, bought a ship with the savings of twenty years and fitted it out for unauthorized trade with the East Indies. His daring, skill, and success attracted the attention of the officers of the Company. He was invited to enter the Company’s service. As captain of an Indiaman he sailed backwards and forwards for ten years; then at the age of fifty retired with a considerable fortune and married the daughter of a Shropshire farmer. The death of his wife’s relatives led him to settle on the farm their family had tenanted for generations, and it was at Wilcote Grange that his three children were born.

Fifteen years separated the elder son from the younger; between them came a daughter, who married early and left the neighbourhood. Four years after Desmond’s birth the old man died, leaving the boy to the guardianship of his brother.

There lay the seed of trouble. No brothers could have been more unlike than the two sons of Captain Burke. Richard was made on a large and powerful scale; he was hard-working, methodical, grasping, wholly unimaginative, and in temper violent and domineering. Slighter and less robust, though not less healthy, Desmond was a boy of vivid imagination, high-strung, high-spirited, his feelings easily moved, his pride easily wounded. His brother was too dull and stolid to understand him, taking for deliberate malice what was but boyish mischief, and regarding him as sullen when he was only dreamily thoughtful.

As a young boy Desmond kept as much as possible out of his brother’s way. But as he grew older he came more directly under Richard’s control, with the result that they were now in a constant state of feud. Their mother, a woman of sweet temper but weak will, favoured her younger son in secret; she learnt by experience that open intervention on his behalf did more harm than good.

Desmond had two habits which especially moved his brother to anger. He was fond of roaming the country alone for hours together; he was fond of reading. To Richard each was a waste of time. He never opened a book, save a manual of husbandry, or a ready reckoner; he could conceive of no reason for walking, unless it were the business of the farm. Nothing irritated him more than to see Desmond stretched at length with his nose in Mr. Defoe’s _Robinson Crusoe_, or a volume of Hakluyt’s _Voyages_, or perhaps Mr. Oldys’s _Life of Sir Walter Raleigh_. And as he himself never dreamed by day or by night, there was no chance of his divining the fact that Desmond, on those long solitary walks of his, was engaged chiefly in dreaming, not idly, for in his dreams he was always the centre of activity, greedy for doing.

These day-dreams constituted almost the sole joy of Desmond’s life. When he was quite a little fellow he would sprawl on the bank near Tyrley Castle and weave romances about the Norman barons whose home it had been--romances in which he bore a strenuous part. He knew every interesting spot in the neighbourhood: Salisbury Hill, where the Yorkist leader pitched his camp before the battle of Blore Heath; Audley Brow, where Audley the Lancastrian lay watching his foe; above all Styche Hall, whence a former Clive had ridden forth to battle against the king, and where his namesake, the present Robert Clive, had been born. He imagined himself each of those bold warriors in turn, and saw himself, now a knight in mail, now a gay cavalier of Rupert’s, now a bewigged Georgian gentleman in frock and pantaloons, but always with sword in hand.

Herbert Strang opens his preface by distinguishing this work from a full biography of Robert Clive, noting that G.A. Henty's With Clive in India already covers that ground. Instead, Strang selects two events—the capture of Gheria and the Battle of Plassey—as the pivot for a personal adventure story set between 1754 and 1757. The excerpts show the narrative following Desmond Burke, a young man who meets the mysterious Diggle at a banquet in Market Drayton and later finds himself a captive of the pirate Angria. Strang draws on standard authorities like Orme and Ives, and his own experience living near the Black Hole site, to create what he calls an accurate picture of Indian life a century and a half ago.

A Romance with a Historical Backdrop

The catalog subjects label this as an adventure story and juvenile fiction about British India in the 18th century. The excerpts confirm the adventure elements: Desmond is tricked into a false supercargo berth, captured by Angria, and later questioned by Clive himself. However, the preface explicitly states the book is “rather a romance with a background of history than an historical biography with an admixture of fiction.” Strang compresses Clive’s career into two events, using them as a framework for a personal story. Readers expecting a comprehensive account of Clive’s life will find a narrower focus, while those seeking a fast-paced tale with historical color will get exactly that.

The Role of Diggle and the Spy Plot

Diggle, introduced as a stranger at Market Drayton, is central to the plot. He claims to have been a Cambridge fellow, but Clive remembers no one of that name. Diggle later sells Desmond to the pirate Angria and tries to recruit him as a spy. The excerpts show Desmond refusing, saying “he might do it himself.” This spy subplot is not hinted at in the catalog subjects, which list only broad themes of British-Indian conflict. The excerpts also reveal that Diggle may have been connected to the disreputable Grinsell and that Clive and Merriman share a secret about him (“Shall I tell the boy?” “Not now”). This suggests a deeper intrigue that the catalog does not capture.

Voice and Structure: Dialogue-Driven Exposition

The excerpts rely heavily on dialogue to convey backstory and character. Clive’s questioning of Desmond is a long, conversational exchange that reveals Desmond’s past, Diggle’s machinations, and the Gheria plot. The narrative voice is third-person but often steps aside for extended speech, as when Merriman interrupts to defend Desmond. Strang also uses dialogue for humor, as when Desmond’s reply about spying is called “a palpable hit.” The structure is episodic: each chapter heading (e.g., “In which the Court Leet of Market Drayton entertains Colonel Robert Clive”) promises a set piece. This method suits the adventure genre but may feel digressive to readers expecting tighter plotting.

Strang’s preface and the excerpts together show a work that balances historical research with fictional invention. The catalog subjects emphasize adventure and British-Indian history, but the excerpts reveal a more intricate plot involving deception, captivity, and a mysterious antagonist. Readers interested in the mechanics of 18th-century empire-building will find the historical details credible, while those drawn to the spy element will note that the excerpts leave Diggle’s full role unclear. The book rewards attention to its dialogue and its careful framing of historical events within a personal story.

There’s something tender about old adventure books, how they trust a young man’s nerve to carry history forward. Strang’s romance feels that way, all dust and courage. It makes me think of my worn copy of Amadis of Gaul, Vol. 4 — Text and Context, where chivalry lingers like a half-remembered song. Different centuries, same wistful pulse.

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