The Motor Boys in the Army; or, Ned, Bob and Jerry as Volunteers — Background and Themes
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For The Motor Boys in the Army; or, Ned, Bob and Jerry as Volunteers — Background and Themes, the stored edition analysis reports 58,863 words, 4 hr 16 min estimated reading time, and 31 detected text sections.
The text analysis averages about 14.2 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Adventure stories,” connecting these edition facts with the source record’s subject description.
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xclaimed Ned. “The President goes before Congress and asks for the whole strength of the nation to back him up, and defy Germany. And he gets it, too!”
“That’s what he does,” added Jerry. “It’s one of the strongest declarations about the war I ever read; and we’ve had a chance to read a few in the last two years. America against Germany! I never expected it, but, now it’s come, we’ll have to get in it good and strong.”
“And we’ve got to hustle, too!” added Bob Baker.
“That’ll be something new for you, Chunky!” observed Jerry Hopkins, with a chuckle. “You’re getting fatter than ever,” and he caught some of his friend’s superfluous flesh between thumb and finger and made Bob squirm.
“Quit it!” the latter begged. “What do you think I’m made of, anyhow?”
“I was just trying to find out,” answered Jerry, innocently. “’Tisn’t as firm as it might be, but when we get back to Boxwood Hall, and you have a little tennis or football to harden you up, I think you’ll feel better.”
“I’d feel better right now if you’d quit pinching me!” exclaimed the tormented one. “Try it on Ned a bit.”
“Oh, he doesn’t need waking up,” laughed Jerry. “But say, do we need tickets for this meeting to-night?”
“I don’t believe so,” remarked Bob, whose nickname of Chunky fitted him well. “But let’s go down the street and read one of the notices. There’s one in front of Porter’s drug store. And while we’re there we can----”
“Get chocolate sodas! I know you were going to say that!” broke in Ned. “Say, I thought you were on a diet, Chunky. The idea of taking chocolate! Don’t you know it’s fattening?”
“Who said anything about chocolate sodas?” demanded the fat one. “I didn’t mention it!” and he glared at Ned. But Jerry was between the two.
“I know you didn’t, little one!” returned Ned sweetly. “But you were going to, and I made it easy for you. However, I don’t believe one chocolate will hurt you; and since you are going to buy----”
“Who said I was?” demanded Bob.
“Why, didn’t you?” asked Ned, with an assumption of innocence. “I’m sure I heard Chunky invite us to have sodas. Didn’t you, Jerry?”
“Sure!” was the ready answer. “Don’t try to back out, Bob. It’s too late.”
“Well, it’s of no use trying to buck up against a conspiracy like this,” sighed the stout youth. “I guess I’ve got the price,” and he rattled some change in his pocket.
The trio of lads, nodding now and then to acquaintances they passed, kept on down the street until they reached Porter’s drug store. In the window was a placard announcing a patriotic meeting to be held in the auditorium that evening, for the purpose, as it stated, of:
“_Upholding President Wilson, and proving to him that Cresville approves of his course in declaring a state of war with Germany exists._”
“No tickets needed,” read Jerry. “It’s a case of first come first served, I guess.”
They entered the drug store, and soon were being served, talking, the while, of the coming patriotic meeting.
“Colonel Wentworth is going to preside,” announced Ned.
“Yes, and there’ll be enough rhetorical fireworks to stock a battleship,” observed Jerry.
“Well, the old soldier means all right,” added Bob, who seemed to be of a kind and mellow disposition, now that he was having something to eat. Eating, as may have been guessed, was one of Chunky’s strong points. “There isn’t a more patriotic citizen than Colonel Wentworth,” went on the stout youth, stirring his chocolate ice-cream soda to mix it well before drinking. “He did his share in the Spanish war, and now he’s anxious to volunteer again, I hear.”
“He’s a little too old, isn’t he?” asked Ned.
“Yes, but he’s in fine shape. Well, we’ll go to the meeting, anyhow, and help whoop things up.”
“That’s right!” chimed in Jerry Hopkins. “These are the days to show your colors.”
It will be evident to the reader that the period of the opening of this story was in the spring, following the announcement of war between the United States and Germany.
Clarence Young opens The Motor Boys in the Army with a burst of colloquial dialogue that immediately establishes the trio's camaraderie and excitement. Ned Slade's exclamation, "Surest thing you know!" and Jerry Hopkins's reference to the last big excitement—"the old lumberyard burned"—ground the story in a small-town setting where local fires are the benchmark of drama. The author's choice to link arms while walking reinforces the boys' unity, a physical detail that recurs throughout the narrative.
Colloquial Speech and Character Voice
Young distinguishes the three friends through their speech patterns. Ned favors emphatic phrases like "whoop up in great shape," while Bob's responses are more measured: "It ought to be quite a meeting, I should say." Jerry often acts as the observer, using phrases like "You said something!" to affirm. This verbal differentiation is consistent; later, when Bob accidentally spills coffee, his apology is apologetic and repetitive: "I didn't mean to… It was an accident." In contrast, Pug Kennedy's dialogue is aggressive and clipped: "Put ’em up, I say, or I’ll smash you in a minute!" The author uses these patterns to telegraph personality without explicit description.
Expository Digressions on Military Structure
Young interrupts the narrative with a lengthy explanation of army ranks, from private to commissioned officer. This passage, which details the V-shaped stripes of a corporal and the difference between non-commissioned and commissioned officers, serves an educational purpose typical of the series. The author's diction is precise: "The first step upward from private… is to be made a corporal." The digression is framed as natural conversation—Ned's ambition to become a corporal prompts Jerry's question, and the explanation follows. This technique balances plot momentum with informational asides, a hallmark of early twentieth-century juvenile fiction.
Accidents as Catalysts for Conflict
A spilled cup of coffee in the mess hall triggers a confrontation between Bob and Pug Kennedy. Young describes the incident with sensory detail: "Pug squirmed and twisted, trying to wipe some of the coffee stains from the back of his coat." The accident is accidental—"some one jostled me"—but Pug interprets it as deliberate. The author uses this minor mishap to escalate tension, with Jerry predicting "trouble with that fellow." The scene also showcases Captain Trainer's intervention, a deus ex machina that momentarily defuses the situation. Young's reliance on such everyday mishaps to drive conflict is a recurring structural choice.
Setting Through Dialogue and Description
The opening chapter establishes Cresville as a quiet town where a fire alarm constitutes major excitement. Young conveys setting through character speech rather than exposition: "There hasn’t been so much excitement in Cresville since I can remember." The mess hall scene later provides a contrasting interior—a "big room" where enlisted men eat under the watchful eye of officers. The author notes that "an officer… is a sort of damper at times," a wry observation that humanizes the military environment. These details, woven into dialogue and action, create a sense of place without lengthy descriptive passages.
Readers attentive to Young's authorial choices will notice how he uses dialogue to advance plot and reveal character, often at the expense of descriptive prose. The frequent digressions into military terminology reflect the series' educational intent, while the reliance on accidental spills and misunderstandings as plot devices gives the story a predictable rhythm. This edition invites scrutiny of how early twentieth-century adventure fiction balanced entertainment with instruction, and how the Motor Boys' adventures fit into that tradition.
That rainy afternoon, I kept thinking about how Clarence Young’s boys fumbled through military life—spilled coffee, misplaced orders—while their ranks stacked ever higher. It made me crave a quieter salt-water tale, and somehow I landed beside The Green Hand: Adventures of a Naval Lieutenant — A Reader’s Guide, where the sea swallows such small mistakes whole. A gentler kind of stumbling, that was.
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